Christine Bottomley

Funny Cow

Funny Cow

Funny Cow

IMDb: 6.6
2017
103min

A woman who has a funny bone for a backbone, Funny Cow charts the rise of a female stand-up comic who delivers tragedy and comedy in equal measure in the sometimes violent and always macho clubs of Northern England in the ’70s.

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The End of the F***ing World

The End of the F***ing World

The End of the F***ing World

IMDb: 7.8
2017
min

James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.

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In the Club

In the Club

In the Club

IMDb: 4.5
2014
min

In The Club follows six pregnant women and their partners as they get ready for the arrival of their babies at the local parenting class. Housewife Diane, schoolgirl Rosie, newlywed Jasmin, businesswoman Roanna, midwife Vicky and writer and teaching assistant Kim all have their own issues to deal with.

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Hush

Hush

Hush

IMDb: 6.0
2008
91min

A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver when they see something disturbing in the back of his vehicle.

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Lost Christmas

Lost Christmas

Lost Christmas

IMDb: 7.1
2011
88min

Urban fairytale set in Manchester. A series of tragic events that blight a young boy’s life are reversed one Christmas Eve, giving him and those around him the happy ending that they were destined to have.

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The Arbor

The Arbor

The Arbor

IMDb: 7.2
2010
94min

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

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