Every weekday at noon, Maxine, Mo, Heather, Kibby, and Nina—hosts of The Lunch Hour, the long-running women’s talk show—gather around the table to discuss life, love, politics, and juicy gossip. But behind the scenes, it’s even juicier — a backstage world filled with power struggles, diva fits, and steamy affairs. Inspired by the book “Satan’s Sisters” by Star Jones, television personality, lawyer and journalist.
Everyone else sees Wilfred as just a dog, but Ryan sees a crude and somewhat surly, yet irrepressibly brave and honest Australian bloke in a cheap dog suit. While leading him through a series of comedic and existential adventures, Wilfred the dog shows Ryan the man how to overcome his fears and joyfully embrace the unpredictability and insanity of the world around him.
At Payden Farms, Rose meets Tom Novak — a handsome “flower broker” who acts as a liaison between the farm and local distributors — and discovers that the farm is faltering financially and that her parents are considering selling it to a ruthless competitor. As a last-ditch effort, Tom arranges for Frank to enter his most special tulip in an upcoming flower contest with the hopes of achieving national recognition and generating business. But when Frank’s flowers are mysteriously sabotaged, Rose struggles to find a way to get them to bloom in time for the competition. Along the way, she finds herself appreciating her humble beginnings, reconciling with Frank, and falling into a blossoming romance with Tom. With time running out, Rose must rediscover her green thumb to save her family’s farm, and decide whether she’ll find true happiness — and true love — by staying in Los Angeles or returning to her folksy hometown.
Wes Keller is a young man living in a world where oil has collapsed, the food supply has been wiped out, and cancer rates for women have skyrocketed, depleting the female population. In a barbaric environment where bio fuel, batteries, bullets and people are currency and marauders roam free, Wes tries to escape to a mythical world run on cold fusion “Plutopia”, a place that may only exist in the mind. THE BILL IS DUE. ‘Downstream’ is a view of the not so distant future. We follow a young man (everyone’s son) as he pays the price for society’s decadence.
Officer Chris McCullers was gravely injured in a shootout and now works on 911-dispatch. Resentful that her career has ended up here, Chris receives a call from a scared kid and dismisses it as a prank. The next day, she learns that the call was all too real: there’s been a murder.