The Village is a BBC TV series written by Peter Moffat. The drama is set in a Derbyshire village in the 20th century. The first series of what Moffat hopes will become a 42-hour TV drama was broadcast in spring 2013 and covered the years 1914 to 1920. A second series has been confirmed for 2014 which will continue the story into the 1920s. Future series would be set in the Second World War, post-war Austerity Britain, and so on.
The Village tells the story of life in a Derbyshire village through the eyes of a central character, Bert Middleton. Bert has been portrayed as a boy by Bill Jones, as a teen by Alfie Stewart, and as an old man by David Ryall. John Simm plays Bert’s father John Middleton, an alcoholic Peak District farmer, and Maxine Peake plays Bert’s mother, Grace. Peake is a preferred actress of the writer, who has called her “the best actress of her generation”, and she has featured in two previous Moffat series, Criminal Justice and Silk.
Writer Peter Moffat has spoken of wanting to create ‘a British Heimat’, alluding to Edgar Reitz’s epic German saga Heimat, which followed one extended family in a region of Rhineland from 1919 to 1982. Unlike Downton Abbey, this version of history is a working-class history—”domestics are expected to face the walls when the master walks by”.
Set at the outbreak of WWII – mischievous playboy Ian Fleming is untroubled by the specter of impending war – chasing women, collecting rare books and living off his family fortune. Forever in the shadow of his brother Peter, and an eternal disappointment to his formidable mother Eve, Fleming dreams of becoming the ‘ultimate’ man – a hero, a lover, a brute and the one who always gets the girl. He is finally given some direction in his life when he’s recruited by the Director of Naval Intelligence to help in the effort against the Nazis. Suddenly, Fleming finds his chance to shine and prove his worth.
Two hundred years after the construction of the great cathedral, the medieval town of Kingsbridge is taken under siege by Queen Isabella. Caris, a visionary young woman, inspires her people to stand up for their rights and revolt against to the most powerful forces of her time, the Church and the Crown.
Film archivist David and his wife are perfectly happy or so he believes. When a looming secret shatters their marriage at the same time as a turn-of-the-century film reel he is studying reveals their house to be the site of a 1902 multiple-murder, David begins to unravel, and the house’s eerie history threatens to repeat itself. Dripping with tension and chilling to the core, this visceral Irish ghost story is a visually arresting and genuinely shocking journey into the darkness within.
In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before a demon – Hellboy – has already been conjured. Joining the Allied forces, Hellboy eventually grows to adulthood, serving the cause of good rather than evil.
A historical drama set in Roman Egypt, concerning philosopher Hypatia of Alexandria and her relationship with her slave Davus, who is torn between his love for her and the possibility of gaining his freedom by joining the rising tide of Christianity.
With nowhere else to hide, a group of mercenaries and their prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the ‘Belly of the Bulldog’. After collaborating closely with Ben Wheatley on FREE FIRE, HIGH-RISE, A FIELD IN ENGLAND and KILL LIST, director Nick Gillespie makes his feature debut.