A dispossessed, violent man’s life is a disastrous attempt to exist outside the social order. Successively deprived of parents and homes and with few other ties, Ballard descends to the level of a cave dweller as he falls deeper into crime and degradation.
In 19th century Baltimore, Isabel Porter, a girl stricken with grief from her parents’ untimely death, voluntarily checks herself into the Rosewood Institute. Subjected to bizarre and increasingly violent pseudo-scientific experiments in personality modification, brainwashing and mind control, she must escape the clutches of the Rosewood and exact her revenge, or else be forever lost.
In the California apple country, nine hundred migratory workers rise up “in dubious battle” against the landowners. The group takes on a life of its own-stronger than its individual members and more frightening. Led by the doomed Jim Nolan, the strike is founded on his tragic idealism-on the “courage never to submit or yield.”
An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have predicted; creating the worst movie ever made.
Michael Shannon stars in the role of Herbert White, a character based on the poem of the same name by Frank Bidart. The story follows Herbert as he works in the lumber industry, supports his family, and stalks and murders women he picks up in town. While Herbert is not exactly sympathetic, viewers are allowed to enter the mind of a serial killer, and realize that most of the time he behaves like everyone else. Movies like “Henry: Portrait of a Serial Killer” have done this before, but to successfully position the audience inside the mind of a complex human monster in 14 short minutes is quite a feat.