A highly driven law student eludes her entitled rival as she retraces the path of the underground railroad.
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Grady (Michael Douglas) is a 50-ish English professor who hasn’t had a thing published in years — not since he wrote his award winning “Great American Novel” 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.
A group of teen-age runaways try to survive in the streets of Los Angeles. Drugs, prostitution, violence and bureaucratic indifference all pose threats to the kids, who nevertheless prefer this harsh life to going back to their families. King, somewhat older, provides some leadership the kids.
Set in the south Texas town of Sucio Sangre near the vicious Mexican border, BLOOD SOMBRERO stars Billy Blair as a nameless thief hired by the ruthless crime lord Lucifer (Nick Gomez) to find a strange box with unknown contents. Meanwhile a mysterious yet violent girl named Josephine (Paula Solinger) holds the box while on the run from the deranged cult she once belonged to. Hot on her trail are two crooked cops (Fred Doss and Stephen Brodie) and a psychotic bounty hunter named Coffin. Their paths ultimately collide in an explosion of blood soaked chaos, leaving our anti-heroes to decide whether this box is worth their lives.
There is instant chemistry between Alice (Gillian Anderson), a businesswoman, and Adam (Danny Dyer), a younger working-class man who installs a security system in her London apartment. She takes him to a party in the country, and they end up making love. But the night turns horrific when they encounter three thugs who maim Adam and rape Alice. The incident turns them into fearful recluses until Alice spots the leader of their attackers (Anthony Calf) — and the two victims plot a brutal revenge.
Three teenage friends get in way over their head when they cross a down-home crime syndicate. They hope to make a break for it and escape their dead-end existence in a cotton-mill town but get sucked into the seedy underbelly of organized crime when one of them steals from the wrong man.
Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film “Jivetime Jimmy’s Revenge.” When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.