Colin is a stud. Stew, not so much. They’ve been virtually inseparable since college. But now Colin has fallen for a much younger man.
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NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?
In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.
Eight months after the death of his wife, Frank Goode looks forward to a reunion with his four adult children. When all of them cancel their visits at the last minute, Frank, against the advice of his doctor, sets out on a road trip to reconnect with his offspring. As he visits each one in turn, Frank finds that his children’s lives are not quite as picture-perfect as they’ve made them out to be.
Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.
Performing for a packed house at Spreckels Theater in San Diego, comedian Patton Oswalt delivers a blistering stand-up set in his trademark blend of acerbic wit and unabashed silliness. His topics include a wide array of modern issues, from the future of our nation to daddy/daughter outings gone wrong.
Four crew members of a military spacecraft are faced with an unfathomable dilemma after their ship is attacked, leaving them only enough air for two of them to return to base alive. In a fight for survival, each crew member must decide whether they are to accept their fate or betray their friends, as tensions rise and the air slowly leaks from the crippled spacecraft.
A demented nun sliding through morphine addiction into madness, whilst presiding over a regime of lesbianism, torture and death. Sister Gertrude is the head nurse/nun in a general hospital, whose increasingly psychotic behavior endangers the staff and patients around her.
Paralyzed at a young age, Jing (Kwai Lun-Mei) is a kind piano teacher who leads a quiet life. One day, she accuses her doctor Zhou (Chang Chen) of molesting her during a typical medical examination. Zhou is promptly arrested, charged and put on trial. The prosecutor of the case is Tim (Aaron Kwok), an idealistic lawyer who joined the law world to punish the guilty. However, as Tim’s investigator Nam (Liu Kai Chi) helps him peel back the pieces, the more complex the case becomes. Soon, Tim begins to question the truth surrounding Jing’s story.