A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.
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It is an adaptation of the Charles Dickens classic A Christmas Carol, featuring Scrooge McDuck as his namesake and inspiration Ebenezer Scrooge and Mickey Mouse as Bob Cratchit. This film was based on a 1972 audio musical entitled Disney’s A Christmas Carol. It is a twenty-four minute animated short film produced by Walt Disney Productions as an accompaniment to a re-release of The Rescuers.
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
The film follows the artist as she prepares for what may be the most important moment of her life: a major retrospective of her work at The Museum of Modern Art in New York. To be given a retrospective at one of the world’s premiere museums is, for any living artist, the most exhilarating sort of milestone. For Marina, it is far more – it is the chance to finally silence the question she has been hearing over and over again for four decades: ‘But why is this art?’
Johnna’s dad changed the world. Or so he says. Whilst Johnna and her dad are talking, they can’t seem to connect, each growing more and more frustrated with one another, revolving around one another in their own orbits.
The legend of comedy returns in 2014 with his biggest and funniest show yet. Monsters is the frightening funny new Live DVD from one of the biggest names in British comedy filmed during his ambitious 2014 tour. Lee’s manic energy, uncanny observations, hilarious delivery and side-splitting material have made his live performances a must-see for comedy fans worldwide and Monsters sees Lee back doing what he does best live on stage, proving once again why he is a record-breaking comic and one of the nation’s best! “The must see comedy event of the autumn” ***** – Daily Telegraph “Stand-up doesn’t get much bigger” – Evening Standard