Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She’s also the object of the attentions of Mabry, a gunslinger who’s owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights?
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Centers on Missy’s adopted daughter Belinda Tyler as she follows her dream. Belinda wants to be a doctor, but this time period does not look kindly on women with careers, especially one in the medical field. But Belinda is a strong-minded woman and deeply wants a career as a doctor. She manages to prove her abilities while assisting the local doctor and caring for an old woman who recently experienced a stroke. Belinda nurses her back to health and helps her regain the use of her arm again. Belinda also meets the nephew of their deceased neighbor. Drew comes to town to get his uncle’s farm in shape to sell. After that he intends on returning to New York to join his father’s law practice. He has no desire to stay in this small, unsophisticated town. But after meeting Belinda he has second thoughts. Belinda also feels something for Drew, but she is conflicted because she wants to be a doctor…
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
Sheriff Rockwell is settling into an unwanted retirement until his old war buddy and neighboring Sheriff is mysteriously shot. When overlooked evidence points to corruption, Alden must take the investigation into his own hands or else standby while a greater evil takes over the town.
High Noon is about Will Kane, the sheriff of a small town in the New Mexico Territory, who learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground. He attempts to gather a posse from among the local townspeople.
The only business in the Wild West town of Jericho that corrupt sheriff Alex Flood doesn’t control behind the scenes is the stagecoach owned by tough-willed widow Molly Lang and her right-hand man, Hickman. Former marshal Dolan, recently hired by Lang and Hickman as a driver, wants to stay out of the mess, but when he sees Flood’s henchman Yarbrough assault Lang, he steps up to fight the corruption.
In 1871, professional gambler John Devlin elopes with Sandra “Sandy” Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be extended into Dakota, plans to use their $20,000 nest egg to buy land options to sell to the railroad at a profit. On the stage trip to Ft. Abercrombie, their fellow passengers are Jim Bender and Bigtree Collins, who practically own the town of Fargo and Devlin is aware that they are prepared to protect the little empire… trying to drive out the farmers by burning their property, destroying their wheat, and blaming the devastation on the Indians. Continuing their journey north on the river aboard the “River Bird’, Sandy and John meet Captain Bounce, an irascible old seafarer. Two of Bendender’s henchmen, Slagin and Carp, board the boat and relieve John of his $20,000 at gunpoint. Captain Bounce, chasing the robber’s dinghy..
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry’s treasures, which Kowalski revels in.
When the young Texas Ranger, John Reid, is the sole survivor of an ambush arranged by the militaristic outlaw leader, Butch Cavendich, he is rescued by an old childhood Comanche friend, Tonto. When he recovers from his wounds, he dedicates his life to fighting the evil that Cavendich represents. To this end, John Reid becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the pair go to rescue President Grant when Cavendich takes him hostage.
Jake Wade breaks Cling Hollister out of jail to pay off an old debt, though it’s clear there is some pretty deep hostility between them. They part, and Jake returns to his small-town marshal’s job and his fiancée only to find he has been tracked there by Hollister. It seems they were once in a gang together and Jake knows where the proceeds of a bank hold-up are hidden. Hollister and his sidekicks make off into the hills, taking along the trussed-up marshal and his kidnapped bride-to-be to force the lawman to show them where the loot is.
A bloody conflict erupts between ranchers and store owners in Lincoln County. Billy the Kid, the most iconic outlaw of the Old West, has become a skillful gunslinger with one glaring weakness: his own arrogance. Billy is repeatedly confronted with his own mortality and shortcomings as he approaches a showdown in Lincoln County, which would become one of history’s most famous Wild West gunfights
Legendary Lawman and Gunslinger Wild Bill Hickok, is tasked with taming the wildest cow-town in the West, while delivering his own brand of frontier Justice and infamous gunfighter’s reputation as the fastest draw in the West is put to the test