Following on from his recent look at alcoholism, the UK’s premier documentarian returns with another sensitive film, this time on living with a brain injury. Earl’s personality and interests have radically altered since he was involved in a car crash, while Dan – who sustained his injury in the late 90s – is desperate to live independently again. Elsewhere, Amanda is struggling to readjust to family life, and Natalie’s carers share her especially affecting story.
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Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
Smart, crude, and in-your-face, Australian comic/actor/equal-opportunity-offender Jim Jefferies is not for the faint of heart. Whether he is lampooning gun control, auditioning disabled actors, or over-sharing sexual experiences, the FXX “Legit” star proves nothing is out of bounds and even less, off limits. Filmed during the Boston run of his recent stand up tour.
“It’s the story of the people who escape to the alternative reality of being a football manager, and the effect this has had on their lives. It’s also the story of how a computer game made by football fans has become a part of the world it set out to replicate.” – Miles Jacobson
Veteran of sketch, television, and film, comedian Michael Ian Black has mastered a delivery that’s equal parts dapper and deadpan, whether he’s discussing the pro-choice debate or the Tilt-A-Whirl. Taped at John Jay College in New York City, Black’s first comedy special for EPIX includes his wry take on the human experience, from parenting and gender roles, to guilty pleasures of all shapes and sizes.
Embrace follows body image activist Taryn Brumfitt’s crusade as she explores the global issue of body loathing, inspiring us to change the way we feel about ourselves and think about our bodies.
On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera. However, the rest of the club has their own opinions, some viewing Martin as an intruder, as he exposes their most vulnerable moments, and their concerns for the future after the game has ended. Fulboy offers an uncensored, confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time, Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view, as well as the viewer’s gaze at the male form.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.