Five teenage friends set out for the beach on their Spring Break vacation. Good times are cut short when one of the group, Carrie, contracts a deadly sexual transmitted disease during a bathroom stop. When they stop for the night at an isolated motel, the real terror begins when the STD virus starts running rampant, turning those infected into the living dead.
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Seven Dorms of Death brings us to a small college in New England, where the drama department is preparing to put on a play. Unfortunately, the last time (and only time) this particular play was put into production, the college’s auditorium burned down and the entire cast and crew were killed. But that was over 100 years ago, and the head of the Drama Department has no fears that any such catastrophe will stop his production.
After breaking up with her girlfriend, a nightclub singer, Jane, answers a personal ad from Robin, a real estate agent with AIDS, seeking a cross-country travel partner. On their journey from New York City to Los Angeles, the two stop by Pittsburgh to pick up Robin’s friend Holly, who is trying to escape an abusive relationship. With three distinct personalities, the women must overcome their differences to help one another.
This dark comedy explores the tale of a couple’s sexual experiment gone exceptionally wrong. After an embarrassing afternoon, Nick (Jordan Cox) races home to gather the rest of his belongings. He frantically tries to grab everything he can before his girlfriend, Tiffany (Giana Alexis Cambria) now probably retitled “ex” finds him, but he’s too late. Catching him off guard, she confesses that the obstacles in their relationship are actually her fault. As forgiveness, and to his surprise, she even offers him his secret fantasy; a threesome with his mistress. But none of this would have transpired if Tiffany had never befriended Angelica (Morgan Filteau) at a restaurant that the couple usually frequented. During a conversation, the two girls find common ground regarding their significant others and realize they’re both dating the same guy. The two ladies thus devise a ploy to expose Nick’s obscenity with a website dedicated to him. All they need are a few embarrassing pictures, but …
“Aliens Stole My Boyfriend” – Two cute alien chicks crash land their space buggy in the parking lot of the motor court looking for Earth boyfriends. “Coma Girl” – A macabre maintenance man falls in love with a comatose patient at the convalescent home where he works much to the dismay of her faithful husband. “Brain Robbers In Love” – A powerful older woman steals the body of a young woman using a top-secret brain-swapping devise stolen from a government vault. “The Problem With Clones” – A skip-tracer must search through a family of clones to find the sister who murdered her look alike. “Four-Eyes” – A paraplegic hit man is encouraged to pursue his gruesome talent by a man who wants to murder his ex-wife. “Life After Men” – In the near future, males are virtually extinct from disease and are tracked down my man hunters working for the new government.
All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?
A supernatural thriller, laced by flashbacks, and set in Canada’s North-West, “The Stranger” turns on the mysterious titular figure of Martin, who comes to a small quiet town seeking to kill his wife Ana who suffers from a very dangerous decease that makes her addicted to human blood – just like himself-. However, when he arrives to the town, he discovers that Ana has been dead for a couple of years and decides to commit suicide to definitely eradicate this dangerous decease, but, before he can do it, Martin’s brutally attacked by three local thugs led by Caleb, the son of a corrupt police lieutenant, and the incident suddenly starts a snowball that will plunge the community into a bloodbath.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.