An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss’s old mentor to secure for him a multi-billion dollar advantage.
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Bay Area Chef, Mark Matheson has everything he ever wanted: A Restaurant of his own, the love of his girlfriend, Gillian and the respect of the culinary community. But in the wake of bad press and personal demons returning to haunt him, Mark struggles to hold onto everything. Before he can be called great, he’ll have to learn to be okay, again.
This retelling of the classic tale of James Hilton’s Utopian lost world plays out uneasily amid musical production numbers and Bacharach pop music. While escaping war-torn China, a group of Europeans crash in the Himalayas, where they are rescued and taken to the mysterious Valley of the Blue Moon, Shangri-La. Hidden from the rest of the world, Shangri-La is a haven of peace and tranquility for world-weary diplomat Richard Conway. His ambitious brother, George, sees it as a prison from which he must escape, even if it means risking his life and bringing destruction to the ancient culture of Shangri-La.
JW now lives in exile and is more than ever determined to find out what happened to his missing sister Camilla. Every trace leads him to the world of organized crime in Stockholm. Jorge is about to do his last score – the largest robbery in Swedish history. But during the complicated preparations he meets a woman from his past – Nadja. Martin Hägerström is chosen to go undercover into the Serbian mafia, in order to get its notorious boss Radovan Krajnic behind bars. When an assassination attempt is made on Radovan, his daughter Natalie is pulled into the power struggle within the Serbian mafia.
Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.