A young woman is returned home to her biological parents after living with her abductor for 17 years.
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Bettie Page was America’s number one pin-up girl in the 1950s and became a cult icon. This biopic tells the story of the last 3 years of her short-lived career, recreating the incriminating bondage films which gave her the nickname “Dark Angel”, and led to her mysterious disappearance.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
A former street tough returns to his Philadelphia home after a stint in the military. Back on his home turf, he once again finds himself tangling with the mob boss who was instrumental in his going off to be a soldier.
When Alice (Lawrence), a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny (Ullerup) decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt (Polaha), the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.