After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie’s partner and the rackets flourish until love and rivalry interfere.
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Terry Dean is an electronics wizard and thief. After he is released from jail, he is hit by a car while saving a little girl’s life. While in the hospital, he dreams that God visits him and tells him he’s an Angel, and must start doing good things to make up for his past life. Not believing it at first, he soon becomes convinced he must be an Angel. Not having any Angel powers yet, he must use his own experiences and talents to make good things happen.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
Psychiatrist Sam Foster has a new patient, Henry Letham, who claims to be suicidal. In trying to diagnose him, Sam visits Henry’s prior therapist and also finds Henry’s mother — even though Henry has said that he murdered both of his parents. As reality starts to contradict fact, Sam spirals into an unstable mental state. Then he finds a clue as to how and when Henry may try to kill himself, and races to try to stop him.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani’s best kept secret, that he is in love with another man.
The manger of cabaret club “Hanibani” named Shuu, a worker at the club named Koji and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into 3, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.
Elizabeth Chase is busy remodeling her new home with her lawyer husband, Paul and daughter, McKenzie. To make sure it’s finished before a charity event they’re hosting, the couple hire a contractor, Javier, to help. However Elizabeth starts to grow suspicious of Javier and learns that he’d targeted the family all along. Now, to save her family, Elizabeth will have to take matters into her own hands.
Tharlo is an orphan. Now grown up, he makes a living as a sheep herder in the village. He has grown a ponytail, so people simply call him “Ponytail”, since nobody remembers his real name anyway. Tharlo has a remarkable memory. He remembers so many things, except his own name. He is now in his forties, and he has yet to have his first woman. Now Tharlo goes to town to take a photo for his identity card. He meets a girl in the barber’s shop who changes the course of his life. He embarks on the journey to find his true self. He sells all his sheep and those entrusted by other villagers to him for care, and decides to use the money to go out into the world with the girl, only to find himself being deceived and cheated by her. Ironically, in his journey of self-discovery, Tharlo has lost his sense of self. As he witnesses in the mirror his ponytail being cut off and leaving him bald, he can no longer see himself as a man with a history that he recognizes.
In Korea, on 6 September 1950, Lieutenant Benson’s platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can’t stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It’s a long, harrowing march, fraught with all the dangers the elusive enemy can summon.
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
Radio funny man Adrian Cronauer is sent to Vietnam to bring a little comedy back into the lives of the soldiers. After setting up shop, Cronauer delights the G.I.s but shocks his superior officer, Sergeant Major Dickerson, with his irreverent take on the war. While Dickerson attempts to censor Cronauer’s broadcasts, Cronauer pursues a relationship with a Vietnamese girl named Trinh, who shows him the horrors of war first-hand.