Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for the Runaways — the now-legendary group that paved the way for future generations of female rockers. Under the Svengalilike influence of impresario Kim Fowley, the band becomes a huge success.
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Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.
Emma is a young and beautiful graduate student just starting a new life in New York City. Like most people her age, she is always connected – her phone and laptop are constant companions, documenting her most intimate moments. What she doesn’t realize is that she’s sharing her life with an uninvited and dangerous guest. A hacker is following Emma’s every move. When the voyeuristic thrill of watching her digitally isn’t enough, the situation escalates to a dangerous and terrifying level.
Apart from a few simple houses, a bar, a gas station with a mini supermarket and a garbage dump, there really is nothing in rural Fulton County, Georgia. Introverted Joel works at the garbage dump where he sometimes finds a useful glass bottle or two, which he cleans up and takes home. Then, one day, he receives an unexpected phone call: his ex-wife has disappeared and it is now his responsibility to look after their son. Joel, about to meet his son for the very first time, has no idea how he is going to build a relationship with 10-year-old Will who also seems to live in a world of his own. Luckily for them, Clara, a bright girl from the neighbourhood, is on hand to help, and Will begins to open up to his father. But the youth welfare officer is already banging on the door. Director Jaron Albertin’s directorial debut is a sensitive, slightly melancholic drama about two outsiders who discover a deep understanding of each other.
Zoe Saldana plays a young woman who, after witnessing her parents’ murder as a child in Bogota, grows up to be a stone-cold assassin. She works for her uncle as a hitman by day, but her personal time is spent engaging in vigilante murders that she hopes will lead her to her ultimate target: the mobster responsible for her parents’ death.
For Megan, matters of faith are to be hidden from her friends and coworkers. Her social life and the way she wants to live come first. But when she goes on a business trip with two coworkers—the arrogant office-crush Mark, and the office nobody, Chris—her plane crashes, and she’s forced to reexamine her life. Stranded on an island in a far corner of the world, Megan begins a journey not just of survival, but discovering herself and what really matters.
David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.