After falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church’s Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.
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Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.
John McVicar was a London Bad Boy. he graduated to armed bank robbery and was Britain’s “Public Enemy No. 1”. He was captured and put into a high security prison. Will even the highest security prison be able to hold him? This is the true story of his life, his criminal exploits and his eventual rehabilitation.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
Set in the landscape of a rural southern town, “George Washington” is a stunning portrait of how a group of young kids come to grips with a hard world of choices and consequences. During an innocent game in an abandoned amusement park, a member of the group dies. Narrated by one of the children, the film follows the kids as they struggle to balance their own ambitions and relationships against a tragic lie.
“Hair” is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical “Hair: An American Tribal Love-Rock Musical” about a Vietnam War draftee, Claude, who meets and befriends a tribe of long-haired hippies on his way to the army induction center.
Claude heads to New York upon receiving his draft notice, leaving the family ranch in Oklahoma. He arrives in New York where he is rapidly indoctrinated into the youth subculture before reporting in for boot camp.
Raised suckling poison arrows among the sparring Iga ninja factions, Mumon (Satoshi Ohno, of idol group Arashi) is a carefree 16th-century mercenary. When the ninja council makes a power play to defeat the young Nobukatsu Oda struggling to step into his father’s warlord shoes as they expand rule across the country, Mumon jumps into the fray to satisfy his new bride Okuni’s (Satomi Ishihara of Shin Godzilla, Attack on Titan) demand that he make good on his promises of wealth. Yet Mumon soon finds what is worth fighting for beyond money or nation. A longtime JAPAN CUTS favorite known for his offbeat dramas, Yoshihiro Nakamura (Fish Story, Golden Slumber) takes on the jidaigeki epic with his signature sense of play featuring a jazzy soundtrack and fantastical ninja tricks. -JAPAN CUTS: Festival of New Japanese Film