As a mother and daughter struggle to cope with the terrors of the post-revolution, war torn Tehran of the 80s, a mysterious evil begins to haunt their home.
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A night like any other in the streets of Hong Kong: in the midst of the tangle of night-owls, cars and vendors, a group of passengers climbs aboard a minibus that is to take them from Mongkok to Tai Po. The group is as diverse as the city: there’s a young man on drugs, an arguing couple, a woman with prayer beads and a girl who has just fallen in love. And behind the wheel sits the chatty driver. But as the bus emerges from a tunnel, everything is suddenly quite still: the streets and buildings are all empty and there’s not a soul to be seen; it’s as if everyone has suddenly been swallowed by the earth. Only the millions of neon lights continue to blink, as if nothing has happened. The eclectic group of passengers seek refuge in a deserted café and discuss what they should do. Then they make an horrific discovery…
At Kinetech Labs, an inventor named Allan Topher designs a robot for search and rescue, but when he finds out that the robot will be used for military purposes, he programs the robot to flee. The robot escapes but is damaged in the process. It is discovered by 12-year-old Henry Keller, who fixes it and names it Cody. The robot does not remember its past, and Henry and Cody develop a friendship. Eventually, Kinetech and the inventor find Cody and bring the robot back to the laboratories. The inventor feels guilty for taking Cody away, so he returns the robot to Henry. The inventor meets Henry’s mother, Joanna, in the process and falls in love. Kinetech wants the robot back, so it kidnaps the inventor and Joanna. Henry and Cody embark to save them and to bring down Kinetech.
Elle and Joy spend their last week before their next music tour wandering through the heart of Laurel Canyon, whiling away carefree afternoons with their friends as they plan for their own going away party.
An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi’s interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: “there is more to life than lights… camera… and action!”
A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man’s body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row.