In Search of… is a television series that was broadcast weekly from 1977 to 1982, devoted to mysterious phenomena. It was created after the success of three one-hour TV documentaries produced by creator Alan Landsburg: In Search of Ancient Astronauts in 1973, In Search of Ancient Mysteries and The Outer Space Connection, both in 1975. All three featured narration by Rod Serling, who was the initial choice to host the spin-off show. After Serling’s death, Leonard Nimoy was selected to be the host.
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Theresa Caputo is an average mom from Long Island in every way except one: she talks to the dead. Theresa spends her days with her loving family and helping individuals connect to the spirits of their departed loved ones. This is not her job…this is her life.
Ten years before Kirk, Spock, and the Enterprise there was Discovery. Star Trek, one of the most iconic and influential global television franchises, returns 50 years after it first premiered featuring a new ship, new characters and new missions, while embracing the same ideology and hope for the future that inspired a generation of dreamers and doers.
ThunderCats is an American animated television series that was produced by Rankin/Bass Productions debuting in 1985, based on the characters created by Tobin “Ted” Wolf. The series, for which Leonard Starr was the head writer, follows the adventures of a group of cat-like humanoid aliens. The animation was provided by Japanese animation company Pacific Animation Corporation whose artists later went on to join Studio Ghibli. Season 1 of the show aired in 1985, followed by a TV movie entitled ThunderCats – HO! in 1986. Seasons 2, 3, and 4 followed a new format of twenty episodes each, starting with a five-part story.
The series was originally distributed by Rankin-Bass Productions’ then-parent company Telepictures Corporation, which would later merge with Lorimar Productions in 1986. In 1989, Lorimar-Telepictures was purchased by and folded into Warner Bros., whose television syndication arm would eventually assume distribution of the show; Warner Bros. have had the rights to the series from that point on.
There were also several comic book series produced: Marvel Comics’ version, 1984 to 1988; and five series by Wildstorm, an imprint of DC Comics, beginning in 2003. Items of clothing featuring the ThunderCats logo and DVD boxsets of the original series have enjoyed a resurgence in recent years as nostalgia for the former children’s favorite has grown.
Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity–that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael’s exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.
Danny is an average 24-year-old who has been friends with stoner Milo since they were kids. But then Danny decides it’s time to grow up, settle down and marry long-term girlfriend Kate, whereas Milo continues to focus on getting high. One night Milo takes a particularly strong batch of hallucinogens, and Danny appears in his living room – except the real Danny’s at his engagement party, and the real Danny doesn’t normally carry a sword! This Danny claims to come from another dimension, and he brings a warning – the only problem is that Milo’s too wrecked to remember what it is…
Theorizing that one could time travel within his own lifetime, Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished… He woke to find himself trapped in the past, facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong and hoping each time that his next leap will be the leap home.